𝕸𝖎𝖗𝖆 𝕲𝖔𝖉𝖟𝖎𝖑𝖑𝖆 𝖛𝖘 𝕶𝖔𝖓𝖌 (2021) en español y latín, míralo ahora chicos [1080]
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Godzilla vs Kong sinopsis
Godzilla y Kong, dos de las fuerzas más poderosas de un planeta habitado por todo tipo de aterradoras criaturas, se enfrentan en un espectacular combate que sacude los cimientos de la humanidad. Monarch (Kyle Chandler) se embarca en una misión de alto riesgo y pone rumbo hacia territorios inexplorados para descubrir los orígenes de estos dos titanes, en un último esfuerzo por tratar de salvar a dos bestias que parecen tener las horas contadas sobre la faz de la Tierra.
Después de un 2020 prácticamente huérfano de grandes blockbusters en salas de cine debido a la pandemia de COVID-19, con la excepción de títulos como ‘Tenet’ o ‘Wonder Woman 1984’ — ambos de Warner Bros. — , este 2021 parece estar destinado a seguir con la misma tónica. Pero en medio de las primeras oleadas de retrasos, Godzilla y King Kong prometen deleitarnos con el primer gran espectáculo cinematográfico del año.
Elevándose como la cuarta entrega del universo compartido de Legendary y Warner conocido como MonsterVerse, ‘Godzilla vs. Kong’ enfrentará a las dos icónicas criaturas en un Kaiju-eiga digno de ser visto en la pantalla más grande posible. Para ir caldeando su próxima llegada a salas, os propongo hacer un repaso a todo lo que sabemos de la película hasta la fecha; incluyendo su equipo técnico y artístico, su reparto, su argumento y, por supuesto, su fecha de estreno.
Godzilla vs Kong estrenos detalles fecha
Godzilla vs. Kong es una próxima película de monstruos gigantes, dirigida por Adam Wingard y escrita por Terry Rossio. Es una secuela de Godzilla: King of the Monsters (2019) y Kong: Skull Island (2017), y será la cuarta película del MonsterVerse de Legendary Entertainment. La película también será la 36ª película de la franquicia Godzilla, la 12ª película de la franquicia King Kong y la cuarta película de Godzilla que será producida completamente por un estudio de Hollywood.4 La película está protagonizada por Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Jessica Henwick, Julian Dennison, Kyle Chandler, y Demián Bichir.
El proyecto se anunció en octubre de 2015 cuando Legendary anunció planes para un universo cinematográfico, compartido entre Godzilla y King Kong. La sala de escritores de la película se reunió en marzo de 2017 y se anunció a Wingard como director en mayo de 2017. La fotografía principal comenzó en noviembre de 2018 en Hawái, Australia y Hong Kong y se terminó en abril de 2019. Después de ser retrasada desde la fecha de lanzamiento de noviembre de 2020 debido a la pandemia de COVID-19, está programado que Godzilla vs. Kong se estrene simultáneamente en los cines y en HBO Max en Estados Unidos, el 26 de marzo de 2021.
Godzilla vs. Kong está programada para ser estrenada simultáneamente en cines y en HBO Max, el 26 de marzo de 2021, en Estados Unidos.46 Será distribuida en todo el mundo por Warner Bros. Pictures, excepto en Japón donde será distribuido por Toho,547 mientras que WarnerMedia transmitirá la película durante un mes en HBO Max en los Estados Unidos.4849 La película se retrasó varias veces y estaba programada para ser lanzada en 2020; el 29 de mayo, 22 de mayo, 13 de marzo, 20 de noviembre y luego aplazada hasta el 21 de mayo de 2021 debido a la pandemia de COVID-19.
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Con el mundo todavía sacudido por la batalla entre Ghidorah y Godzilla, la humanidad ha comenzado a intentar coexistir con los Titanes. Pero después de que Godzilla comience su propio reinado de terror, los gobiernos deben recurrir a otra leyenda para detenerlo: King Kong. No será tan fácil cuando la compañía Monarch viaja a Skull Island, donde una misteriosa joven conocida por comunicarse con el gigantesco monstruo le advertirá del peligro inminente. Mientras Godzilla arrasa naciones, destruyendo todo a su paso, el destino del mundo en manos de estos dos legendarios Titanes. Kong y Godzilla lucharán, entonces, en una terrible batalla de la que depende nuestro destino.
In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross.
The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets.
Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms.
Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee.
The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue.
An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes.
In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife.
The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history).
Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions.
Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income.
In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney).
Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable.
Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message.
Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
